Back in Five (Molly’s POV)

Pulling on his hand, Molly guides Al to the side of the building landing next to the green hills.

Landing lightly, she looks around to make sure they weren’t seen and listens for any shouts or alarms but all she can hear is Al, breathing heavily. 

For a first flight it was a long way, and she feels sorry for him but is also a irritated.  She needs a Defender not the Office Boy. As soon as she thinks it, she feels a pang in her stomach and to make up for her thought, pats Al’s shoulder and tells him to rest whilst she makes sure it’s safe.

“I’ll be back in five minutes,” says Molly.

The side door opens at her touch. Dimming her light, she takes one last glance at Al sitting with his back against the wall and sneaks inside.

Shutting the door behind her, she gives her eyes time to adjust to the weak internal light.   She’s at the bottom of a grey, empty stairway, that marches up at right angles and out of sight. 

But there’s a door in front of her. Easing it open, Molly releases a cacophony of rumbling and churning and stomping noises.  The assault makes her jump and she nearly slams the door shut, but stops herself and lets it go gently. Ears ringing, she makes her way up the stairs.

Creeping up four flights, her sandals tap on the hard steps and echo up into the grey stratosphere. Finding another door, she eases it open, bracing for another on slaughter, but there’s no noise, except something. A hum and the smell here is sweet like flowers but not. She slips through, onto a corridor and walking its length notes the plaques on the doors. Her steps are more confident here because it feels like the Never-Ending Office, but just then she hears a door further down open and voices floating toward her.

Pushing through the nearest door she finds herself in an office. Listening at the door she realises the voices are coming closer and might come into this room.  Frantically she looks around for somewhere to hide and seeing another door pulls it open. But the voices pass without coming in the office and Molly breathes out unaware she’s been holding her breath.

Looking round, she finds herself in a meeting room with another door to the corridor – a way out. But there’s wall of windows, looking out at the greenery growing on the foothills.

She’s forgotten all about Al.

It’s been more than five minutes and she wonders if he’s alright.  She shouldn’t have brought him, she thinks but he knows more about the office system. Going to the window she lifts the handle and the window swings open, leaning out she sees Al at the door just about to go through.

“Up here!” she whispers.

Glowing brighter Al rises to the second floor and topples through the window. Mentally sighing, Molly can’t help but think of Gabriel.

73. Cold

She shivers but she can’t walk away from the blue-grey cloud-ship sailing across the horizon. As it moves, it leaves a trail of fluffy white clouds on a burnt pink sea.

Mesmerised, she sits down. She shivers but continues to watch.

Overhead aeroplane trails criss-cross the still blue atmosphere, like some giant marking out a tally on the sky.

A man takes photos.

A couple walk their dog.                              

Pigeons coo.

Too soon the cloud-ship sails on, morphing into something else, the photographer finishes shooting, the pigeons nestle down and the dog does its business.

She shivers.

She should go home.

72. Talk to Someone Else

Standing less than an inch away from her, he inclines his head to better hear her honey voice or take in her expensive scent. Smiling and laughing, he must be happy.  

The joy I’d felt a moment ago vanishes, like frost on a sunny morning.

Straight black hair washes, like a midnight waterfall, over her shoulders. Designer clothes, I can’t even guess at, hang exquisitely from her petite frame.

I’m jealous.

I’ll never admit it. It’d inflate his already massive ego and make no difference, except demolish my pride.  

Catching his eye, I smile then start talking to someone else.

71. Collecting the Children

The Children follow the red ribbon and find their way to the Edge of the Light, to the Chasm of Darkest Nothing.

They are not afraid. Here they dance and sing, run and shout, and wait in the Light.

And here She collects the Children.

A woman glowing with the light of a candle lit room.  She’s a mother too, like the ones they only just knew.

Holding out her hands, she gathers the Children in her arms. Caring for them across the shining bridge, that spans the Chasm of Darkest Nothing, she makes them safe in the Eternal Estate.

70. Sorrow and Anger

Sorrow’s only desire is to curl up in a corner and cry. Anger wants to shout and scream and rail against the universe.  Anger drags Sorrow out into the world. Sorrow cloaks Anger in a veneer of politeness.

Carrying on with a busy life, she ignores them. If she ignores them, they’ll go away, like clouds in the wind.

But what if Sorrow and Anger are like a conquering army laying siege to her heart?

She’ll have to fight to take back what’s hers.  

But she doesn’t have the heart.

And when the battle’s over what’ll be left of her?

69.The Oldest Woman is Stuck in the Corner

At first there was darkness. Then the taste of water, moist and sweet. Movement came next, stretching and reaching until a break through.

Touching Sunlight, I shot up. Every day I’d grow toward his light and while others battled Wind, I embraced it, listening to her talk.

My skin hardened, against the animals that gnawed, the squirrels that tickled and those that swung from my arms.

Then the air was tainted and filled with different noises. Many of us were chopped down, but I was walled up in a corner, away from Wind and World.

And here I still stand.

68. Run Away Imagination

A small nudge and the wheels of his imagination rock.

Why’s she late?  The train must have been delayed.

But the wheels have begun to turn now.

What if she was run over and is now being whisked to the hospital, sirens blaring?

Maybe she lost her phone and an opportune thief stole her bag. She’ll be a Jane Doe.

How long should he wait to ring the hospitals?

Maybe he’ll discover that she’s really a spy and before she died, she’d hid information and he must complete her mission.

His phone beeps – Train delayed. Home in five. x

67. Almost Half-Full

The world is almost half-full of women, writing code, teaching, saving lives, cooking, caring, organising, writing, evaluating history, cleaning, fighting, performing on stage, back stage, gardening, competing, calculating, designing, cashing up, giving birth, shooting into space, directing, advising, deducing, reigning and building roads, bridges and a way forward.

The world is almost half-full of men writing code, teaching, saving lives, cooking, caring, organising, writing, evaluating history, cleaning, fighting, performing on stage, back stage, gardening, competing, calculating, designing, cashing up, shooting into space, directing, advising, deducing, reigning and building roads, bridges and a way forward.

The world is full of people.

Back in Five Minutes (Al’s POV)

“What about the main entrance?” asks Al, pointing with his own hand at the obvious wide doors, opened in greeting.

“Safer sneaking round the back,” says Molly pulling on his hand. Al lets her lead him to the side of the building closest to the Mountain Range. When his legs hit the floor, they wobble like they’re not really attached. He catches himself on the wall, but then stumbles forward taking great gasps of air.

“You rest,” says Molly, patting his back. “I’ll be back in five Wild minutes.”

Al hasn’t got the breath to protest. Scrapping his back against the concrete wall, Al sits down and enjoys the tingling sensation on his shoulder where Molly touched him.  Examining the hand Molly held, he can’t see anything different about it, but the feeling is definitely there. He wonders if Molly felt it too.

Sighing, he realises he’s got his breath back and wonders where Molly is. What was five minutes in the Edge of the Light? Al starts counting, but he forgets how many counts are in a minute. Time never feels quite constant here. When the Lumini were witnesses, focusing on something in the Wild made it slow down or speed up, or maybe it was them that changed pace.

It was starting to feel like forever. He stood up and started chewing on his thumb. Birds twittered in the trees and Wind sporadically rustled the leaves, distant shouts made Al twitch. Then under it all, he could hear the plop-glop-gopple-gulp, it was constant and coming from somewhere to his right. Walking a bit further down the building, his legs still feeling shaky. The green cover suddenly ended, and beyond it he could see a deep grove in the side of the mountain, like a giant gutter and down it slid a tangled mess of red tape. This close he could hear another noise, a hissing, Alesssssanda, it seemed to whisper. Both intrigued and terrified, Al took another step forward but then remembered he was waiting for Molly.  Glancing back, he can’t see her anywhere.

Where is she?

Frozen between the green shadows, where Molly left him and the sound of the Red Tape calling his name, Al closes his eyes.

Surely, it’s been five minutes, he thinks.

She’s definitely late.

He should go after her.

Maybe she’s in danger, maybe she’s been caught by the Red Tape and bound for forever. The image of Molly trapped overwhelms his fear. He turns to the door, about to yank it open, but hears a squeak from overhead and jumps back.

“Al it’s all clear. Get up here,” says Molly, leaning out an open window on the second-floor and waving.

The face of his favourite Lumini, safe and well, makes Al blaze with light and he finds it no problem to fly up to the window, even if his landing is still a bit awkward and Molly has to grab him before he falls. At least it makes her laugh.

66. Friends of Paper and Ink

Introducing you to other worlds, different from your own, they take you on adventures. They uncover mysteries, show you new ideas and shape your soul.  You cry with them and laugh with them, cheer them on and admire them. But no matter how many times you get together there’s always something new to discover.

They’re your best friends, because they’re always there. Even if it’s been weeks, months or years, they’re only ever a page turn away.

Pluck the tattered, bound leaves from the shelf, settle in your comfy place and say hello to your friends of ink and paper.